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Death Smiles on a Murderer (1973) *** out of ***** Bad Neighbours (2014) *** out of ***** Bad Neighbours 2 (2016) ** out of ***** Madman (1981) ***1/2 out of *****
__________________ My articles @ Dread Central and Diabolique Magazine In-depth analysis on horror, exploitation, and other shocking cinema @ Cinematic Shocks |
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Near Dark (1987) **** out of *****
__________________ My articles @ Dread Central and Diabolique Magazine In-depth analysis on horror, exploitation, and other shocking cinema @ Cinematic Shocks |
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__________________ The Church Of What's Happening Now. |
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The man from Hong Kong A hard boiled cop from Hong Kong (Jimmy wang yu from one armed boxer and master of flying guillotine.) heads to Australia for the extradition of a heroin smuggler (an early role for Sammo Hung) . When the smuggler is assassinated Jimmy decides to track down the mr big of the operation (played by George Lazenby). In the process he goes on a bloody and explosive kung-fu rampage through Australia's underworld. An Australian / Golden Harvest co-production there is a suggestion on IMDB that Jimmy Wang yu had some collaboration on the direction with Brian Trenchard-smith, and the superb marial arts set pieces suggest the collaboration of someone experienced in choreographing martial arts scenes. However, given his great work on other films its also probable that smith was responsible for everything. Either way this is a first-rate film that highlights the best of Australian stunt work, a superbly trashy exploitation plot line and some terrific martial arts scenes. It's even kudos to the actor that Lazenby allowed himself to be set on fire in one climactic scene. If you've not got the Australian disc from Umbrella I highly recommend it. The transfer is stunning and theres some great bonus features. On top of this we also get a bunch of extra films chucked in including the entertaining stunt rock. |
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Anyone seen I Am the Pretty Thing That Lives In The House? I watched it a couple of days ago on Netflix and can't stop thinking about it. It's a ghost story that sort of lingers, it's there but it isn't, much like its subject matter. There's very little story, it's mostly execution and style, and undoubtedly many will find it pretentious and overtly arty, but it sets a mood that you just can't shake. A slow burn without the typical denouement of one. It creates a dread-filled yet melancholy atmosphere, but makes little attempt to fully hold the attention of the viewer. I wavered so much when rating it for Letterbox'd that I actually rewatched the final 25 minutes. I just couldn't decide between a 2 or a 4. Eventually I copped out and marked it a 3, but it's not a 3. The final image is haunting, I just can't decide whether it's genius or hollow. I'm going to watch director Oz Perkins' prior film The Blackcoat’s Daughter (also known as February) tonight and see if that has any bearing on my thoughts. It's very rare I'm wishy-washy on how I feel about a movie, I was curious if anyone here had seen it and hearing their feelings on it. |
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I think it's a Netflix exclusive. I have no idea if it's just acquired by them or was commissioned by them, or if that even makes a difference for its future availability. After seeing another Netflix exclusive, Mike Flanagan's Hush, I really wanted to buy it and add it to my collection, but that doesn't seem to be possible. Some of their exclusive TV shows get DVD / Blu-ray releases I'm just not sure what the distinction is.
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Don't think I've heard of that. I'll add it to my watchlist!
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